TWELVE BAR BLUES

A bit too crowded and busy but, still, a fine depiction, in vivid and indelible colors, of a bygone age.

Jazz, history, and love across a hundred years and several continents, in a US debut by British music journalist Neate, winner of the 2002 Whitbread Award.

The origins of jazz are in dispute, but one thing is pretty much agreed on: If it wasn’t born in New Orleans, it damn well grew up there. Just like Lick Holden. Lick started out life at the dawn of the 20th century in Cooltown, one of the many black districts in the Crescent City, and he soaked up music from his earliest days. Working as an ice boy making deliveries to the Storyville saloons, Lick got to know some of the greatest black musicians of the day and got one of them, a local character called the Professor, to give him cornet lessons. Soon he was peddling music rather than ice to the habitués of Storyville’s brothels and bars, and eventually he became known as one of the great horn men of his day. Throughout his career, he was in love with Sylvie Black, his stepsister, with whom he had a brief affair before she ran off and disappeared from his life. Obsessively, futilely, Lick searches for Sylvie in bars and clubs from New York to the Gulf of Mexico, gradually squandering his talent as a musician and turning to a life of petty crime, until he is murdered in the 1920s. Interspersed with the chapters of Lick’s history are accounts of the efforts of one Sylvia Di Napoli, a black singer from London, to trace her ancestry—a search that brings her to America and eventually New Orleans. As we watch the progress of two narrative lines, it’s clear they’ll intersect at some point—but the pleasure of the tale isn’t one of revelations so much as portraiture, the re-creation of a lost world of music, lust, and fame.

A bit too crowded and busy but, still, a fine depiction, in vivid and indelible colors, of a bygone age.

Pub Date: Oct. 1, 2002

ISBN: 0-8021-1727-9

Page Count: 416

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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