THE YELLOW ADMIRAL

The 18th voyage for Jack Aubrey and Stephen Maturin, stormy-petrel protagonists of O'Brian's utterly addictive series on life in the service of His Britannic Majesty's navy during the Napoleonic Wars (The Commodore, 1995, etc.). Having returned from a distasteful mission in West African waters, where he commanded a squadron with orders to suppress the slave trade, Aubrey is fending off a welter of lawsuits filed by aggrieved ship-owners whose vessels he seized. Abandoned by his superiors, the aging ex-captain fears he may be passed over for promotion or, worse yet, yellowed (elevated and then retired on half pay). Obliged to play country squire, the cash-strapped Aubrey (a Tory MP) makes new enemies when (as lord of the manor) he opposes enclosure of a common abutting his Dorset estate. Finally sent back to sea with his steadfast shipmate Maturin, the polymath physician who doubles as a spy for the Admiralty, the embattled mariner encounters even tougher going. Assigned to wearisome blockade duty off of Brest, he captures a French privateer laden with treasure but is charged with leaving his assigned station. Aubrey is further dispirited by a letter from his usually complaisant wife who accuses him of adultery with a Canadian lass whose billetsdoux he has unwisely left about the house. Meantime, the Corsican usurper suffers a crushing defeat at Leipzig, and in anticipation of peace the Royal Navy launches the Georgian era's equivalent of a downsizing campaign. Back in England after a successful intelligence-gathering sojourn on the Continent, Maturin arranges for his old friend to assume a training command in rebellious Chile's fledgling navy. As the two sail off for South America, however, word reaches them that Napoleon has escaped from Elba and Aubrey is to head a task force patrolling the Straits of Gibraltar. Another excellent adventure, complete with period-piece arcana, for oceanic literature's oddest and arguably most appealing couple.

Pub Date: Oct. 21, 1996

ISBN: 0-393-04044-5

Page Count: 288

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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