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THICK AS THIEVES

A ho-hum heist of food stamps (food stamps?) from a midwestern printing plant erupts in a string of firecracker violence when one of the principals decides to double-cross the hired help. Mackin (no first name), the nerveless pro brought in from Kansas City to supervise the actual break-in, is mad because Pointy Williams, the local up-and-comer who set up the score, has given him a hot car for his drive to the airport and tipped off a pair of crooked cops that he's on his way out. The local law is mad because Mackin's escaped by killing both of the cops (``The worst cop killing in the city's history,'' thinks Sgt. Milos Petrone, who ain't seen nothing yet). Pointy Williams is mad because the white dude didn't get killed the way he was supposed to, and it's a cinch that he's going to be back with both barrels blazing. All the other local gangsters are mad because Mackin's thirst for revenge is bound to disrupt the smooth operation of the city's crime rings. And Malcolm Barrett, about to be released from a jail several hours away, is mad because Williams just killed his brother in an unrelated episode. When feelings run this high among an immense cast ranging from FBI types on the brink of retirement to gangland chauffeurs itching to retire their fading capos, you can be sure that a lot of somebodies are going to get killed—especially when Mackin, flushed by his success in robbing and shooting up Williams's restaurant, Ma Rainey's, while it's filled with terrified customers, decides to make it two for two with a plan to torch a Williams hot-car warehouse. Too many cooks, but Quinn's cheeky, knowing debut novel already shows some of Elmore Leonard's smooth moves. First of a series featuring the surviving players.

Pub Date: Feb. 15, 1995

ISBN: 0-517-70009-3

Page Count: 256

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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