A great read, full of local color, from an author to watch.
In Leahy’s intriguing debut mystery, an officer searches for a missing hunting guide in the wilderness of southeastern Alaska and uncovers secrets and lies among a village’s residents.
Life isn’t easy in the tiny village of Yakutuk. For starters, there’s the unforgiving Alaskan wilderness and its dark, frigid winters. There are multigenerational racial conflicts festering between the native people and non-natives, as well as conflicts between the poor and the not-as-poor. Add an abundance of alcohol and guns, many more men than women and an American West mythology. Men are definitely men in Yakutuk, but Norma Faunce, this novel’s female main character, refuses to be pushed around. Faunce, Yakutuk’s newly named peace officer, leads an investigation to find out what happened to the fearless, skilled hunter Ward Hubble. In a village where everyone has enemies, ex-Marine Norma is universally liked. She’s always been able to navigate the uncertain territory between the Yakutuk’s Tlingit residents and the whites and between its most unsavory elements and its upstanding citizens. But is Norma up to the task of solving a murder case? The author confidently portrays harsh Alaskan village life with verisimilitude, offering a sort of noir version of Cicely, Alaska—the charming fictional town in the 1990s TV show Northern Exposure. (For the record, Yakutuk, Alaska, doesn’t exist; however, Yakutat, in the same region, is a real place.) The village’s quirky, eccentric characters harbor burning resentments and hatreds, but many band together when the need arises. First-person narrator Norma takes readers along on her uneasy quest to solve Hubble’s disappearance as she unearths layers of family secrets, infidelities and blood feuds. She harbors her own contradictions and surprises but remains consistently well-drawn and believable throughout the novel. The book’s poetic title and its acknowledgement to poet Rainer Maria Rilke are a bit odd and the only discordant notes in an otherwise well-balanced narrative. Overall, the story’s steady pacing, complex characters and suspense will likely draw readers in.
A great read, full of local color, from an author to watch.Pub Date: Sept. 28, 2012
ISBN: 978-1478259695
Page Count: 234
Publisher: CreateSpace
Review Posted Online: Dec. 13, 2012
Kirkus Reviews Issue: Jan. 15, 2013
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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