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TANK

THE PROGRESS OF A MONSTROUS WAR MACHINE

Particularly delightful for readers interested in military history, but Wright’s witty prose and careful cultural analysis...

An account of the tank’s evolution as an armored war machine and a symbol of power and progress.

British historian Wright (Modern Cultural Studies/Nottingham Trent Univ.; A Journey Through the Ruins, not reviewed) has previously proved adept at finding cultural significance in traditionally dry subjects, and his analytical approach works particularly well in this new analysis of the tank’s place in modern history. He begins by tracing the roots of the tank to 19th-century writers like H.G. Wells, who captured the public’s imagination with visions of lumbering behemoths dominating futuristic battlefields. Such speculative fiction, Wright argues, inspired remarkably diverse popular support (songs, poems, juvenile fiction) as early tankers slowly developed primitive armored tactics on WWI battlefields. He notes that by the time the Allies defeated the Kaiser’s German forces, the tank had been recognized as an essential component of modern warfare by both military thinkers and the general public. While acknowledging the great appeal that armored vehicles held for British citizens, Wright also traces their role in suppressing popular revolutions and intimidating citizens, from the 1919 Irish strikes in Glasgow to the 1989 television standoff between man and machine at Tiananmen Square. These functions complicate easy interpretations of the tank’s cultural significance, he contends. Instead of merely serving as a symbol of military might, the tank inspires an uneasy passion in the Western world: it paradoxically reinforces our belief in technological progress while simultaneously reminding us of its ultimately destructive purpose. Wright convincingly concludes that understanding this tension makes thoughtful consideration of the tank’s cultural status worthwhile.

Particularly delightful for readers interested in military history, but Wright’s witty prose and careful cultural analysis will also appeal to general readers. (Photos and illustrations throughout)

Pub Date: April 29, 2002

ISBN: 0-670-03070-8

Page Count: 500

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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