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CHURCHILL ON THE HOME FRONT

1900-1955

A masterly chronicle of Churchill as a domestic figure rather than as the bulldog wartime leader, and one of the most subtle portraits of him as a politician. Addison (History/Univ. of Edinburgh, Scotland) revises the view of Churchill as uninterested and out of his depth in domestic affairs, painting instead a nuanced picture of a canny parliamentarian. Churchill changed parties twice but managed to accomplish the change, writes Addison, ``with exceptional dexterity,'' making it appear as if he were maintaining his principles while the parties changed theirs. To make his point that Churchill was deeply interested in domestic affairs, Addison emphasizes Churchill's diligence in mastering complicated briefs and focuses on key domestic issues during his long career. Contrary to the prevailing view of an impolitic Churchill who clung to principle like a dog to a bone, Addison shows him aware of the need for political cover. When, for instance, he agreed to Britain's return to the gold standard in the 1920s, he made it clear to the country that he did so only on the recommendation of his advisors. Yet Addison also admits that by 1940 Churchill had become such an old-fashioned politician that many of his most effective speeches in the House of Commons during the war were not broadcast on radio at all. After the war, he led a government so cautious about changing what Labor had instituted that Rab Butler, later chancellor of the exchequer and himself no raging extremist, said that ``Winston is so brave in war and so cowardly in peace.'' Addison's most interesting assertion is that the rise of Hitler saved Churchill from drifting into right-wing irrelevance. Most impressively, Addison doesn't settle for easy classifications, admitting that ``Churchill...is a man of whom almost everything that can be said is true in part.'' Innovative and thought-provoking. A tour de force. (12 pages b&w photos)

Pub Date: Dec. 1, 1994

ISBN: 0-7126-5826-2

Page Count: 512

Publisher: Pimlico/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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