Second biography of Sylvia Plath this season, this one by the editor of Ariel Ascending (1984), a collection of essays on Plath's life and work. Alexander's is a full-bodied biography, long on facts, short on criticism, but the best so far as a conventional life of the poet. Despite his detail, however, Alexander is much less involved with interpretation than Ronald Hayman is in The Death and Life of Sylvia Plath (p. 909), a psychocritical investigation focusing on the nature of suicide as shown in the poet's work. Hayman is more exciting, though both writers strain at supposition. Alexander carries Hayman's revisionist view of Plath's husband, poet Ted Hughes, to an even more extreme darkness, with Hughes now showing up as a craggy, violent man obsessed with horoscopes and the occult and in Plath's last year even urging her to suicide, perhaps with posthypnotic suggestion. Implied is that Plath fulfilled an agenda reinforced in her by Hughes, though of course she had an earlier history of suicide attempts. Whatever the truth of this (Hughes has never granted an interview about Plath), it's now more than a quarter century later and Hughes still finds himself pursued by his dead but restless wife in a variety of legal battles about her estate. Alexander (as Hayman did) resorts to paraphrase of Plath's work (Hughes refuses all rights to quote unless he can vet any biography), which tends to de-energize his page, but he has cracked the reserve of many Plath intimates who've not spoken before, especially about Hughes in a strange delirium attempting to strangle Plath and later deserting her outright on a vacation in Ireland when he thought he saw a face move in a painting. Alexander also uncovers a likely abortion that helped save her Fulbright. Lives of Plath are now so familiar that one reads them to see which writer can play Hamlet best. At this point, Hayman—with reservations—cuts the brightest figure, with Plath chewing more scenery than even Alexander can muster. (Sixteen pages of b&w photographs—not seen.)
Pub Date: Oct. 1, 1991
ISBN: 0-670-81812-7
Page Count: 448
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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