In many ways, a summa of Auster’s entire oeuvre, and a gripping and immensely satisfying novel in its own right.
Auster’s tenth novel is one of his finest: an elegant meditation on the question of whether an artist or his public “owns” the work he creates, and a thickly plotted succession of interlocking mysteries reminiscent of his highly praised New York Trilogy (The Locked Room, 1986, etc.).
Narrator David Zimmer is a professor of comparative literature at a small Vermont college with an impressive resumé and a promising academic future, until his wife and young sons perish in a 1985 plane crash. Following an extended period of drunken despair (eloquently and harrowingly described), Zimmer indulges a casual interest in obscure silent film comedian hector Mann, whose disappearance in 1929 has never been explained. David researches and writes a book about Mann’s films (occasioning several brilliant set pieces summarizing their contents), and in 1988 receives a letter from New Mexico informing him that Hector Mann is still alive, and is interested in meeting David. The novel picks up dizzying speed as that letter (ostensibly sent by Mann’s protective wife Frieda Spelling) is followed by the appearance of Alma Grund (a beautiful young woman despite a disfiguring facial birthmark), who brings David to the (now nonagenarian) Mann’s southwestern ranch, spins a lavish tale of scandal and self-exile that fills in a 60-year gap, and compulsively recapitulates the former comedian’s various fateful ordeals, leaving Zimmer once again bereaved and alone. The heavy excess of plot never feels arbitrary or contrived, because Auster (Timbuktu, 1999, etc.) writes with such persuasive directness about both Zimmer’s conflicted death-in-life and efforts to get beyond it, and Mann’s understandably buried past and quiet desperation to order and give meaning to—and eventually extinguish—his accident-strewn personal history. Further dimensions are added by Zimmer’s ironically thematically related intellectual pursuits, particularly his fascination with French writer Chateaubriand’s elusive, many-leveled autobiography.
In many ways, a summa of Auster’s entire oeuvre, and a gripping and immensely satisfying novel in its own right.Pub Date: Sept. 4, 2002
ISBN: 0-8050-5408-1
Page Count: 336
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
IN THE NEWS
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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