Cody's second effort, after The Stolen Child (1995), is a novel of emotional concision and deeply felt beauty that's capable of recalling Ian McEwan and Raymond Carver. Through the focusing and refocusing lens of a fragile sensibility, narrator Will Ross, at age 37, looks back through his life and wonders about its future. In a style that perfectly communicates his sensation of being trapped in a downward spiral of fear and uninvited memories, he recollects growing up in a working-class family in the Boston suburbs. While still a young adult, Will was institutionalized—unable to shake off a paranoid obsession with serial killers—and this memory, in Cody's crisp and simple prose, merges seamlessly with others, as in a passage on his family's lack of money that turns into a haunting meditation on his father's death. Will spends his late 20s drifting, trying to sort out his empathies, before moving to Ithaca, where he enters the writing program at Cornell, falls in with an ambivalent bisexual, then eventually ends up with the woman he marries—bringing him, in the novel's present time, to wonder how he might go about explaining his life to the child he and she are trying to have. His thoughts include memories of old girlfriends and recollections of bull sessions with childhood buddies, and repeatedly he imagines what his life may be like in old age: possibilities that range from an aged Will sick and shivering in seedy hovels to tableaus of domestic bliss and security. Sometimes evocative of Hemingway, Cody's prose is crisp, sinuous, and simple, yet also densely layered, like the James Joyce of Dubliners. Cody is one of our rare contemporary authors legitimately consumed by the big questions- -love, death, faith, sex—and he has the talent to give those questions a rightful, elegant due. Spare, dignified, relentlessly intelligent prose fiction. (First serial to Harper's)
Pub Date: March 15, 1996
ISBN: 1-880909-44-8
Page Count: 252
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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