Veeck is not as well remembered as he should be. Dickson’s book is a skillful corrective.

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BILL VEECK

BASEBALL'S GREATEST MAVERICK

Dickson (The Unwritten Rules of Baseball, 2009, etc.) delivers an engaging biography of Bill Veeck (1914–1986), an innovative, irascible and progressive gadfly within the staid world of baseball.

For six decades, from the 1930s to the ’80s, wherever baseball was played, talked about or voted on, Veeck was there. Born into baseball—his father had been president of the Chicago Cubs—Veeck would go on to own and run four baseball teams. In each case, he turned moribund franchises into fan favorites through promotions ranging from ingenious to silly, from exploding scoreboards to having a little person (a midget) take an at-bat—and much, much more. But he also had a keen eye for talent and produced winning teams—his Cleveland Indians won the World Series in 1948. Color was no barrier to Veeck, as he signed the first black player in the American League, Larry Doby, who would later become the second black manager in the big leagues. Off the field, he was a lifelong champion of civil rights and of political causes he thought right; he opposed the Vietnam War. All of this brought him fan adulation but fellow owners’ enmity, as his irreverent insistence that baseball might be fun seemed to threaten the sanctity of the game. Dickson suggests his progressive stance on race might have been the greater irritant: In 1950, the only black players in the American League were on Veeck’s Indians. Ever fast with a quip, Veeck returned the fire, once saying, “I’ve always felt that when most owners stick their heads in the sand, their brains are still showing.” Dickson expertly evokes Veeck’s populist, garrulous public persona, while at the same time showing the private pain he endured as a World War II injury caused him to have countless amputations of portions of his right leg, leading to deterioration and ruin of the rest of his body, but not his spirit.

Veeck is not as well remembered as he should be. Dickson’s book is a skillful corrective.

Pub Date: April 24, 2012

ISBN: 978-0-8027-1778-8

Page Count: 448

Publisher: Walker

Review Posted Online: Feb. 29, 2012

Kirkus Reviews Issue: March 15, 2012

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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