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IN MEMORY OF BREAD

A MEMOIR

An enjoyable memoir for wheat-free foodies and others limited in their gastronomical choices.

Faced at age 36 with the sudden onset of celiac disease, a professor realizes that his days of brewing beer and eating his wife’s homemade bread are over.

In his first book, Graham (English/St. Lawrence Univ.) takes a mostly humorous approach to his adventures in adjusting to life without wheat, oats, and barley. At first, he and his wife, who gave up all gluten in solidarity with him, sampled some beers that tasted “of vegetal funk, like old lettuce” and baked some truly inedible loaves that “fell apart in chunks, like pieces of a dried-out plaster wall.” Eventually, with the help of the ever scientific America’s Test Kitchen, Graham found a few recipes for what almost tasted like bread. Brewing beer proved to be far more difficult, but he has made do with brews like Omission Pale Ale and Glutenberg. The book detours briefly into Graham’s health crisis, the history of wheat, and the mystery surrounding what appears to be a rapid increase in the number of cases of celiac disease. For the most part, however, the author stays focused on his experience, whether he’s mourning the loss of the luxury of turning a chef loose to make a meal for him, bemoaning the tastelessness of most of the gluten-free offerings at the supermarket, indulging in “gluten-voyeurism” by watching the Food Channel’s Guy Fieri pig out on diner fare, or realizing how much he hates millet (“dry, gritty, and less flavorful than any other grain I had ever tasted”). Graham’s awareness that, since his health improved radically once he changed his diet, he was left suffering what should probably be considered a “first-world problem” goes a long way toward increasing reader sympathy, and his mouthwatering evocations of homemade tortillas and buckwheat crepes make it clear that he still finds plenty to enjoy in and out of the kitchen.

An enjoyable memoir for wheat-free foodies and others limited in their gastronomical choices.

Pub Date: June 7, 2016

ISBN: 978-0-8041-8687-2

Page Count: 272

Publisher: Clarkson Potter

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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