Forget Robert McNamara's much-ballyhooed but deeply disappointing pseudo mea culpa, In Retrospect. Hendrickson has produced the book about the life and times of the former secretary of defense, and provides as well a superb overview of the war in Vietnam. This gracefully written and meticulously researched book takes a penetrating look at the psyche of McNamara and at the lives of five other people who were shaped indelibly by the Vietnam war. In compulsively readable prose, Hendrickson succinctly traces how the US became involved in Vietnam under presidents Kennedy and Johnson, how the war was prosecuted, and why it turned out so badly. Hendrickson, a veteran Washington Post reporter (Seminary; Looking for the Light; both not reviewed) interviewed hundreds of people, including McNamara himself, and exhaustively researched the complex details of American policies in the 1960s. He interweaves these elements with the stories of former Marine James Farley, onetime Army nurse Marlene Vrooman Kramel, Quaker activist Norman Morrison, the expatriate Vietnamese Tran family, and a Massachutes artist who in 1972 tried to do McNamara bodily harm. Ultimately, though, this book will be remembered for its author's uncannily perceptive portrait of a man whose life he calls ``a kind of postwar technocratic hubristic fable.'' Hendrickson doesn't neglect McNamara's courage or intelligence, but he devastatingly catches his weaknesses: arrogance, his ingrained habits of lying to the public and to politicians; and obfuscating when it served his purposes. McNamara, Hendrickson says in what could pass as an epitaph, did not resign in 1965 ``when he no longer believed [the war] could be won militarily. And he didn't speak out after, not for almost 30 years, when it was too late. Those facts form the box he can't get out of . . . The lesson sits there, shining, intractable.'' Exuberant and compulsively readable, Hendrickson's work easily stands with the very best literary nonfiction on the Vietnam war. (8 photos, not seen) (First printing of 100,000; first serial to the Washington Post; author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-679-42761-9

Page Count: 432

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1996

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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