With a toy sword and a wastebasket serving as a helmet, he marches (in his pajamas) boldly ahead, right into the path of "a...

READ REVIEW

THE WOODS

The night light is on and the bedtime story firmly in the young narrator's grasp, but stuffed bunny is nowhere to be found! There's only one thing to do: He has to go into the woods, which are conveniently right next to his bedroom.

With a toy sword and a wastebasket serving as a helmet, he marches (in his pajamas) boldly ahead, right into the path of "a big, scary brown bear!" Luckily, the bear is scared of the dark too, so the boy shares his night light. The duo sets off into the deeper woods, where they meet two scary giants. These guys in green are just bored, so the boy shares his bedtime story with them. Off this quartet ventures, and comes upon a pink three-headed, fire-breathing dragon... And so on. The procession comes to a big scary dark cave and, holding hands, summon the courage to enter. Inside is a big, hairy, scary monster—holding a tiny red bunny! Mystery solved; the boy invites everyone back to his room, where a final illustration shows him smiling and clutching stuffed versions of all his banished fears. The refrain—"we weren't afraid at all. Until…"—sets a comfortable pattern, and the fuzzy watercolors on thick creamy stock enhance the coziness of the tale.

Pub Date: June 1, 2011

ISBN: 978-0-8118-7547-9

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

Did you like this book?

No Comments Yet

THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1999

Did you like this book?

No Comments Yet

PRINCESSES WEAR PANTS

This book wants to be feminist.

Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.

Skip it . (Picture book. 3-5)

Pub Date: Sept. 12, 2017

ISBN: 978-1-4197-2603-3

Page Count: 32

Publisher: Abrams

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

Did you like this book?

No Comments Yet
more