An intelligent and accessible mix of car-worship and cultural studies.




A Pulitzer Prize–winning automotive reporter's cultural history of 15 cars that helped shape American life.

Car nut and Reuters deputy editor in chief Ingrassia (Crash Course: The American Automobile Industry’s Road from Glory to Disaster, 2010) makes it clear that he's not writing about the best cars in American history, but the ones that have had the most impact on American culture (which also doesn't always mean American-made cars). Beginning with the most obvious choice, Henry Ford's Model T, Ingrassia proceeds to make his case for the cultural relevancy of Cadillac tail fins, the Honda Accord, BMWs, the Volkswagen Beetle, the Chrysler Minivan and more. Some of his more entertaining and informative stories are about automotive failures—e.g., hipster car-industry kingpin John DeLorean and his once-promising career at Pontiac, a tenure that ended with ugly, impractical cars and a botched cocaine deal. Ingrassia plays up the colossal technical flop that was the dangerous, rear-engine Chevy Corvair as the second-most influential car of all time, considering its unintended role as the car that sparked huge legal reforms in the automobile industry and launched Ralph Nader's career. Perhaps the book's most interesting section examines the improbable metamorphosis in public perception of the Volkswagen Beetle, which went from Hitler's favorite ride to a 1960s hippie-chic countercultural statement on wheels. The same kind of socially conscious symbolic value resurfaced decades later in the form of the hybrid Toyota Prius, the ride of choice for left-leaning, eco-friendly affluence. Ingrassia succeeds in fashioning well-researched, swift-paced narratives around each of these 15 select automobiles. Using colorful detail, he effectively recasts these significant driving machines in their respective cultural contexts and brings to life the eras they influenced.

An intelligent and accessible mix of car-worship and cultural studies.

Pub Date: May 1, 2012

ISBN: 978-1-4516-4063-2

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: March 19, 2012

Kirkus Reviews Issue: April 1, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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