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ICE CREAM WAR

A light tale that will appeal to fans of the cozy mystery genre.

In Janson’s (Mal Practice, 2013, etc.) mystery set in small-town Nebraska, an ice cream shop owner reluctantly assists her business rival when a dead body is found in his store.

This novel is a competent, cozy mystery of the dream-job genre, in which a sleuth is reluctantly drawn into an investigation when she’d rather be pursuing her desired career. Here, Mary Burke, who graduated from law school but never took the bar exam, spends her days trying to sell ice cream in her small hometown—that is, when she isn’t seething over the antics of Jeremiah “Jerry” Wilson, a Southern California surfer and slacker who’s returned to town to keep an eye on his crazy Aunt May. Unfortunately, Jerry has also chosen to reopen his ice cream parlor, but he isn’t in it for the money—instead, he gives the stuff away. When one of Jerry’s ex-roommates from Huntington Beach, California—the decidedly unsavory Angie—turns up dead in his store, Mary can’t help putting her legal mind to work to help the hapless man out of his fix. The predictable conflict between Midwest small-town values and the presumed sex-drugs-and-rock ’n’ roll lifestyle of Left Coast denizens is played for laughs; Jerry’s apparent stoner vibe, for example, turns out to be more Zen than zonked, and when he talks about selling grass, he actually means sod. However, his blissed-out naïveté can wear thin after a while. There’s some effective nastiness afoot, however, regarding roomies that Jerry tried, and failed, to pull out of destructive lifestyles, and the Nebraskans who hide venality under a wholesome facade. Underneath the high jinks, though, this is a mystery that plays fair and relies on the accumulation and analysis of evidence—rather than characters running around frantically until the solution falls into their lap, as is too often the case in mysteries of this ilk.

A light tale that will appeal to fans of the cozy mystery genre.

Pub Date: Oct. 9, 2014

ISBN: 978-0990742401

Page Count: 258

Publisher: JM Publishing

Review Posted Online: May 20, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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