A light tale that will appeal to fans of the cozy mystery genre.

ICE CREAM WAR

In Janson’s (Mal Practice, 2013, etc.) mystery set in small-town Nebraska, an ice cream shop owner reluctantly assists her business rival when a dead body is found in his store.

This novel is a competent, cozy mystery of the dream-job genre, in which a sleuth is reluctantly drawn into an investigation when she’d rather be pursuing her desired career. Here, Mary Burke, who graduated from law school but never took the bar exam, spends her days trying to sell ice cream in her small hometown—that is, when she isn’t seething over the antics of Jeremiah “Jerry” Wilson, a Southern California surfer and slacker who’s returned to town to keep an eye on his crazy Aunt May. Unfortunately, Jerry has also chosen to reopen his ice cream parlor, but he isn’t in it for the money—instead, he gives the stuff away. When one of Jerry’s ex-roommates from Huntington Beach, California—the decidedly unsavory Angie—turns up dead in his store, Mary can’t help putting her legal mind to work to help the hapless man out of his fix. The predictable conflict between Midwest small-town values and the presumed sex-drugs-and-rock ’n’ roll lifestyle of Left Coast denizens is played for laughs; Jerry’s apparent stoner vibe, for example, turns out to be more Zen than zonked, and when he talks about selling grass, he actually means sod. However, his blissed-out naïveté can wear thin after a while. There’s some effective nastiness afoot, however, regarding roomies that Jerry tried, and failed, to pull out of destructive lifestyles, and the Nebraskans who hide venality under a wholesome facade. Underneath the high jinks, though, this is a mystery that plays fair and relies on the accumulation and analysis of evidence—rather than characters running around frantically until the solution falls into their lap, as is too often the case in mysteries of this ilk.

A light tale that will appeal to fans of the cozy mystery genre.

Pub Date: Oct. 9, 2014

ISBN: 978-0990742401

Page Count: 258

Publisher: JM Publishing

Review Posted Online: May 20, 2015

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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