A revealing portrait of a unique talent, a deeply religious artist who saw God’s wonder and mystery in all.

GERARD MANLEY HOPKINS

A LIFE

The intensely private, pious, sometimes melancholic and tortured life of the English Jesuit whose remarkable poems did not appear until a quarter-century after his death.

Mariani (English/Boston Coll.; Death and Transfigurations, 2005, etc.) employs the present tense throughout, no doubt to lend immediacy to the introspective Hopkins (1844–89), who broke, then reconciled with his moderate Church of England family to become a Jesuit priest devoted to the classics and to disciplined adherence to his vows. Using the poet’s journal, meditations, sermons and copious correspondence with friends and family as well as his verse, Mariani depicts Hopkins as a revolutionary poet who pioneered the use of sprung rhythm and used the natural world to inform his life, his preaching and his art. The diminutive Jesuit was a vigorous hiker, a voracious reader and a curiously asexual man, though he reportedly stopped a Latin class late in life to inform the surprised (and certainly delighted) students that he’d never seen a naked woman—but wished he had. Beginning in 1866 with the young Hopkins agonizing over his conversion, the narrative then circles back to his birth and proceeds in fairly conventional chronological fashion, each chapter covering a few years. The author takes us through Hopkins’s undergraduate years at Oxford, his Jesuit training and various positions within the order, including his final appointment as a professor of classics in Dublin, where he battled melancholy and failing health, writing friends frequently to complain about the onerous burden of marking student exams. Mariani stops periodically to consider in detail—and with considerable insight—the poems Hopkins was composing at that particular moment.

A revealing portrait of a unique talent, a deeply religious artist who saw God’s wonder and mystery in all.

Pub Date: Nov. 3, 2008

ISBN: 978-0-670-02031-7

Page Count: 456

Publisher: Viking

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2008

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more