Tight action sequences and a high-energy plot that readers should relish.
A military veteran’s unpleasant encounter with a biker gang prompts an investigation into criminals using a Texas prison for their own gain in this thriller.
Dan Cowell and his common-law wife, Linda Parker, are enjoying a relaxing life in Key West, Florida. At least until Dan tries stopping bikers from tormenting an elderly couple on the highway, ending with both him and Linda beaten and humiliated. Dan’s friend and fellow Navy vet, Carl Blackadar, who does “discreet” government work, suggests tracking down the gang. This would benefit Carl as well. Dan can ID the main assailant, Tank, whose gang Carl has linked to international theft and murder. Dan agrees; later, his eyewitness status is the likely motive for an assassination attempt against the common-law couple. The two men begin in Ecuador while Linda and her ex-journalist pal (and Carl’s girlfriend), Melanie Olson, investigate the matter separately. Mel believes she’s found Tank in a Texas jail, where the women travel under the pretense of writing a magazine article. Something is clearly wrong with the prison: How can Tank be in other countries if he’s locked up, and why doesn’t Linda recognize him? Things escalate when Dan and Carl get word that the two women have disappeared. McHugh’s (Deadlines, 2010, etc.) novel is brimming with action. Scuffles are quick and startling, while realistically varying in outcomes: some of the fights the good guys win; some they lose; and some involve frying pans. Characters have just as much impact, especially the women; Linda, a Moskita from Honduras, proves a formidable opponent against any attacker. The story initially bounces the perspective between the paired-off characters, but as they gradually split apart (for different reasons), the scenes shorten and the pace increases. Nevertheless, the author adeptly depicts the environment; at the prison, the women trek through “corridors that cradle” a dank musk “of male sweat as well as hints of fecal vapor, stale urine and vomit, all laced by a turpentine reek of Pine-Sol.”
Tight action sequences and a high-energy plot that readers should relish.Pub Date: Aug. 7, 2017
ISBN: 978-0-9987320-7-7
Page Count: 285
Publisher: Elkheart Books
Review Posted Online: March 3, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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