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THE BLIND POOL

Tight action sequences and a high-energy plot that readers should relish.

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A military veteran’s unpleasant encounter with a biker gang prompts an investigation into criminals using a Texas prison for their own gain in this thriller.

Dan Cowell and his common-law wife, Linda Parker, are enjoying a relaxing life in Key West, Florida. At least until Dan tries stopping bikers from tormenting an elderly couple on the highway, ending with both him and Linda beaten and humiliated. Dan’s friend and fellow Navy vet, Carl Blackadar, who does “discreet” government work, suggests tracking down the gang. This would benefit Carl as well. Dan can ID the main assailant, Tank, whose gang Carl has linked to international theft and murder. Dan agrees; later, his eyewitness status is the likely motive for an assassination attempt against the common-law couple. The two men begin in Ecuador while Linda and her ex-journalist pal (and Carl’s girlfriend), Melanie Olson, investigate the matter separately. Mel believes she’s found Tank in a Texas jail, where the women travel under the pretense of writing a magazine article. Something is clearly wrong with the prison: How can Tank be in other countries if he’s locked up, and why doesn’t Linda recognize him? Things escalate when Dan and Carl get word that the two women have disappeared. McHugh’s (Deadlines, 2010, etc.) novel is brimming with action. Scuffles are quick and startling, while realistically varying in outcomes: some of the fights the good guys win; some they lose; and some involve frying pans. Characters have just as much impact, especially the women; Linda, a Moskita from Honduras, proves a formidable opponent against any attacker. The story initially bounces the perspective between the paired-off characters, but as they gradually split apart (for different reasons), the scenes shorten and the pace increases. Nevertheless, the author adeptly depicts the environment; at the prison, the women trek through “corridors that cradle” a dank musk “of male sweat as well as hints of fecal vapor, stale urine and vomit, all laced by a turpentine reek of Pine-Sol.”

Tight action sequences and a high-energy plot that readers should relish.

Pub Date: Aug. 7, 2017

ISBN: 978-0-9987320-7-7

Page Count: 285

Publisher: Elkheart Books

Review Posted Online: March 3, 2018

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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