Skip this stale beach read.
Juillet, a Midwest preteen grieving her parents’ breakup, finds a soulmate and discovers surfing in Southern California.
With her mother working at a nearby hospital during their monthlong stay in Santa Monica, Juillet, 12, expects to miss her (one) friend, Fern, back home. Together, they read cult horror fiction and hung out at the mall in goth makeup and attire. In Santa Monica, she meets Summer, a beautiful, blonde surfer girl who’s intrigued by Juillet’s look and delighted to learn Juillet means “July” in French. Friendship quickly follows. Outgoing Summer introduces Juillet to the neighborhood, its denizens, and So-Cal surf culture. Juillet’s smitten with everything, especially Summer herself, who coaxes Juillet out of her comfort zone and onto a boogie board, a skateboard, and, eventually, a surfboard. Though mostly sunny and upbeat, Summer keeps secrets. Why won’t she won’t talk about her family or where she disappears to? The ocean and how Juillet learns to engage with it are the novel’s strengths, vivid and convincing, but not the far-fetched plotting or carelessly written major characters (who are white). While surfing culture is central to both plot and theme, the customs and argot Summer teaches Juillet are dated, feeling as though they’ve been sourced from inauthentic, pop-culture iterations like the 1959 film Gidget. Even as the book ignores Hawaiian surfing history and culture, the surfing meme “Eddie would go,” celebrating legendary surfer Eddie Aikau, appears in an adapted form without attribution or context.
Skip this stale beach read. (Fiction. 10-14)Pub Date: June 9, 2020
ISBN: 978-0-06-284936-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
Energizing and compassionate.
An aspiring transgender Junior Olympian swimmer finds the strength and pride in his identity to race toward his dreams in this debut coming-of-age novel by groundbreaking trans athlete Bailar.
Starting over after his abusive and discriminatory swim coach excluded him from the team, Obie Chang, a biracial (White/Korean) transgender boy worries about catching up to the other boys and proving that he is “man enough.” Although his family supports him, one of his best friends at school and the pool has turned into his biggest bully, and the other is drifting away toward the mean, popular girls. As he dives from the blocks into the challenging waters of seventh grade and swims toward his goal of qualifying for the Junior Olympics, Obie discovers belonging in his community and in himself. Affirming adults—including his parents and grandparents, a new swim coach, and his favorite teacher—play significant supporting roles by offering encouragement without pressure, centering Obie’s feelings, and validating Obie’s right to set his own boundaries. Vulnerable first-person narration explores Obie’s internal conflict about standing up for himself and his desire to connect to his Korean heritage through his relationship with Halmoni, his paternal grandmother. A romance with Charlie, a cisgender biracial (Cuban/White) girl, is gentle and privacy-affirming. Short chapters and the steady pace of external tension balance moments of rumination, grounding them in the ongoing action of Obie’s experiences.
Energizing and compassionate. (author's note, resources, glossary) (Fiction. 10-13)Pub Date: Sept. 7, 2021
ISBN: 978-0-593-37946-2
Page Count: 352
Publisher: Crown
Review Posted Online: July 7, 2021
Kirkus Reviews Issue: Aug. 1, 2021
PROFILES
Intermittently intriguing, this overlong, high-concept debut mostly plods.
Two white preteens—one nearly homeless, one affluent—connect in San Francisco.
Abruptly quitting her Chicago restaurant job, Jeanne Ann’s single mom, Joyce, drove the van they now live in to California and parked among the line of vans blocking ocean views for affluent residents, including Cal and his single mom, Lizzie, owner of a trendy vegetarian restaurant. With her prison record and refusal to compromise career goals, Joyce can’t find work. When money runs out, Jeanne Ann sells her beloved books. Hunger sets in; the public restroom’s cold-water tap serves for bathing. Meanwhile, socially awkward Cal pays a price for painting an unauthorized mural at his private school: working at his mom’s restaurant and attending public school. A neighbor, aware that Cal sketches the van dwellers and feeds their meters—helps him slip Jeanne Ann snacks and money. A wary friendship grows. Joyce takes a dishwashing job, Lizzie’s chef takes an interest in Jeanne Ann, and some mansion dwellers plot to evict the van-dwellers. Though Jeanne Ann’s description of food insecurity is haunting, the rambling, far-fetched plot often resembles a clever, extended elevator pitch. Despite manifestly good intentions, little light is shed on income inequality; events are too unlikely, characters too exceptional for readers to recognize or identify with. While “good” adults are interchangeable paragons of quirky wisdom, grumpy-but-interesting Joyce remains frustratingly underdeveloped.
Intermittently intriguing, this overlong, high-concept debut mostly plods. (Fiction. 10-14)Pub Date: Feb. 4, 2020
ISBN: 978-0-399-53903-9
Page Count: 400
Publisher: Dial Books
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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