A call to confront today’s acute environmental threats with a combination of persistence, adventure, and awe.
Having spent more than 20 years working in the Peruvian Amazon, an adventurer and environmental activist cuts through lore—both overly romantic and catastrophizing.
Ten years after Rosolie’s debut Mother of God, the threat to the landscape and species of the Amazon rainforest remains dire. Since first making his way to the remote Madre de Dios region, the author has imagined and refined an ambitious goal of saving the Las Piedras River basin and safeguarding the biodiversity and wonder of a major tributary to the Amazon River. No matter how far his Junglekeepers organization may have come, both inspirationally and systematically, from the author’s “barefoot machete days” of exploring the wild with his friend, JJ, a member of the local Ese Eja Indigenous community, the Amazon offers up an endless supply of novel experiences and vantage points. Rosolie collects the wonder of his experiences, involving anacondas of record-breaking size, encounters with the mysterious, voluntarily isolated Mashco Piro tribe, and a climb to the top of the jungle’s canopy. The author also tracks the false starts and disappointments along the road to viral videos, millionaire funders, and luxury treehouses. Villains abound: the drastic logging and mining of the 20th century has given way to the more staggered destruction of gradually encroaching land grabs, forest “colonization” initiatives, and undercover narco-traffickers. Rosolie profoundly understands the necessity of seeing a place if one is to be moved to protect it, and he enlists his language powerfully in this mission with rich, poetic passages capturing the light of treetops at dawn, the darkness of untouched jungle at night, and the magnificence of confronting rarely seen species up close. His is an eloquent and valuable contribution to a growing demand for a more determined, less doomsday reaction to human-made climate change.
A call to confront today’s acute environmental threats with a combination of persistence, adventure, and awe.Pub Date: Jan. 20, 2026
ISBN: 9780593980392
Page Count: 336
Publisher: Convergent
Review Posted Online: Sept. 25, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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