A light and frothy take on royal romance.

PLAYING THE PALACE

An American event planner deals with the public scrutiny that comes with dating an openly gay British prince.

Carter Ogden is almost 30 and his life isn’t what he thought it would be. He’s an “associate event architect” (a fancy name for “event planner”) in New York City, and he’s heartbroken over the vain actor who just dumped him. So he visits St. Patrick’s Cathedral (even though he’s Jewish) and sends up a sort-of prayer: He wants a big life. He wants purpose and love and the chance to make a difference in the world. His prayer is almost immediately answered in the form of Edgar, the Prince of Wales, who's doing a press conference (planned by Carter’s company, of course) at the United Nations for a charity devoted to providing clean drinking water to people who need it. But Prince Edgar isn’t just charitable—he’s also impossibly good-looking and openly gay. Carter both admires and hates him for being so perfect (or, as he puts it, “I seriously wanted to slap his photo or have sex with it”). As soon as Carter meets Prince Edgar, however, he realizes that he’s more than just a man who’s next in line to the throne—he’s also the guy of Carter’s dreams. They begin a whirlwind romance that’s full of public dates and even more public humiliations, such as Carter getting food poisoning on live TV. But their problems are larger than just an ill-timed bout of projectile vomiting. Carter isn’t sure if their relationship can withstand tabloid headlines, constant public opinions, and the fact that the queen doesn’t much care for their union. As the scrutiny intensifies and the obstacles mount, Carter wonders if he and Edgar are doomed—or if their royal romance is his happily-ever-after. Carter is a wickedly sharp and snarky narrator, throwing in pop-culture references and self-deprecating asides that make it a delight to be inside his head. Edgar, however, isn’t as easy to like. Because his relationship with Carter develops so quickly, it’s hard to understand his motivations or get invested in the men's love story. However, Rudnick (who, in addition to being a novelist, is a playwright and screenwriter) rounds out their world with a gaggle of wacky side characters who make it easy to coast along on the surface.

A light and frothy take on royal romance.

Pub Date: May 25, 2021

ISBN: 978-0-593-09941-4

Page Count: 272

Publisher: Berkley

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A clever, romantic, sexy love story.

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RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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