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SIR VIDIA'S SHADOW

A FRIENDSHIP ACROSS FIVE CONTINENTS

The detailed story of a long, top-heavy friendship that took a sudden nosedive, from novelist and travel writer Theroux (Kowloon Tong, 1997, etc.). They met in Africa 30 years ago: Theroux was 23, a university lecturer and aspiring writer; V.S. Naipaul (Vidia) was only 34 and already a respected writer. Theroux was ready to please: “He was stimulating and tiring to be with, like a brilliant demanding child—needy, exhausting, funny, often making a po-faced joke just to please me, and who was I?” What is clearly a teacher-student relationship deepens into an ill-balanced if mutually advantageous friendship. Theroux needed encouragement to build confidence as a writer. Naipaul needed someone to buff is ego, nurse his ills, pay the lunch bill. This Theroux did, bearing Naipaul’s dismissive manner, his mockery and imperiousness. Theroux put up with all this because he was awed by Naipaul’s talent, because “his talk was unexpected and original. He was contrary and he was often right.” And perhaps Theroux was smitten, confused; he might like to believe that “I could say what I wanted to him,” but really “you got nowhere arguing with Vidia. You needed to listen, to indulge him, not to debate every illogical point.” One day, apparently out of the blue, Naipaul writes Theroux off. Baffled and hurt, Theroux is nevertheless now a grown-up who has felt pain before. He vents a little (Naipaul had “stopped trying to please the reader. He lost his humor, he blunted his descriptive gift”), though not peevishly. It would be overmuch to say Theroux sighed with relief at the end; yet, undeniably, there is a sense of liberation. This friendship is no easy subject for portraiture—oblique, intuitive, unspoken, irrational as it often is. Theroux does his best to explicate, filling this memoir with telling incidents, blending passion with dispassion, writing with elegance. As for Naipaul: “Never give anyone a second chance.”

Pub Date: Oct. 15, 1998

ISBN: 0-395-90728-4

Page Count: 358

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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