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MY MOTHER'S MUSIC

A MEMOIR

Prolific West (A Stroke of Genius, 1995; The Tent of Orange Mist, 1995) strikes again, this time with an affectionate but characteristically showy paean to his mother. West calls her ``an orchid who doubled as a gardener,'' aptly describing a woman of fragile health but redoubtable will and demonstrating his own reverent amazement at her strength. The only daughter of an English butcher, Mildred Noden West ran her father's shop while three brothers went to war, then sacrificed a promising career as a concert pianist when one died. She endured extensive surgery in order to bear children and, having paid dearly for fertility, seemed determined to make the most of child-rearing. Mildred instilled in the young Paul a love of music and literature, and West credits her ``fierce, harrying love'' and goading ambition for his development as a man of letters. He pays tribute with his trademark high-octane prose and with dense (and distracting) allusion-studded riffs that detail his intellectual coming-of-age under Mildred's direction. Possessed of a restless intellect more impressive than entertaining, West mars his storytelling with a constant need to dazzle, and he indulges in wordplay and digression at the expense of clarity. He often abandons his mother's story to tell his own (as when he relates the rigorous preparation for exams at Oxford) but insists that she is always in his thoughts, if not his narrative. The most affecting moments are when the two are alone in the dark at the cinema during the Blitz; listening to cricket matches on a portable radio in the backyard; and in later years, enacting a touching, ten-minute ritual of waving goodbye. West's affection for his mother grows with age, and he watches with some bemusement when she embraces television and, in her nineties, moves to a new home and befriends a motley crew of eccentrics. A taxing, distracted read whose tender mercies are too few and far between.

Pub Date: May 1, 1996

ISBN: 0-670-86757-8

Page Count: 224

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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