A St. Bonaventure alumnus and faculty member chronicles the school’s basketball scandal.
Scandals in college athletics are almost a blip in today’s world of rapid telecommunications and cynicism. Wieland, who now serves as a lecturer in the school’s Journalism and Mass Communications department, seems to acknowledge this reality, but he also internalizes “a college’s basketball disaster.” It is the author’s closeness to the characters and setting that puts a face on an issue that almost seems to be something new. Wieland relates how an idyllic Franciscan university got swept up in the commonplace reality of money. The details of the story are fascinating, but perhaps not for the reasons one might expect. The reader is not inundated with the seemingly lavish aspects of big-time college sports, but rather the mundane pieces of daily academics and school survival. The book’s theme revolves around the changing of a single grade of a single student basketball player. The involvement of many individuals, their actions and their conflicting accounts of those actions sometimes read like a TV crime drama, one that poses the question of what really happened. What really happened is fairly clear to Wieland, however, and he pulls no punches in his criticisms. The chapters on the school president’s apparent boondoggle land purchase or salaries sometimes seem like gossipy payback. His recollections create unmistakable good guys and bad guys. Those same recollections, though, could still leave the reader doubting. That is because Wieland is a journalist who writes like a journalist. He bases his work on interviews with the figures involved and the investigative reports resulting from the scandal, but these are not formally cited as sources and no citations are provided. There are also a few statements that seem vague, such as, “It was a common belief” or “He is said to have told the agent…” Despite using an appropriate number of quotes, it is sometimes hard to tell who is doing the talking. Ultimately, Wieland is an authoritative source, especially considering his ties with the university. He sometimes waxes nostalgic about the days when athletics was not a business, but he also acknowledges similar improprieties in his day. Although he despises the actions of some who perpetuate this big business, he is wise enough to know that the problems are systemic and historical. Wieland offers a remedy for these evils, but has no illusions about their coming to pass anytime soon. A captivating, informative account that goes beyond local interest.
Pub Date: Nov. 2, 2011
ISBN: 978-0615478128
Page Count: 130
Publisher: Brown Hill
Review Posted Online: Jan. 9, 2012
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
11
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A love letter to the power of books and friendship.
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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Categories: GENERAL FICTION | HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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