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THE GHOST OF JOHNNY TAPIA

From the Hamilcar Noir series , Vol. 2

A gritty, engrossing, and concise account of a boxer’s meteoric career and tortured personal life.

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A biography chronicles the struggles and triumphs of a renegade boxer.

In this second installment of the Hamilcar Noir series, Zanon (Sinner and Saint, 2018, etc.) tells Johnny Tapia’s story, recounting the action in and out of the boxing arena where the fighter made his name. The author follows Tapia from his birth in Albuquerque, New Mexico, in 1967 and the savage murder of his mother when he was only 8 years old to his first boxing bout at 9 and beyond. He had his first professional match in 1988 and won the United States Boxing Association Super Flyweight title in 1990. But, as the author puts it, “unfortunately, his passion and desire in the ring played second fiddle to a destructive lifestyle” when the gloves were off, a destructive routine featuring a steady consumption of drugs and alcohol. Zanon describes a life of nearly constant brutality in which the boxer was actually declared DOA multiple times, either from violence or drug overdoses. This leads the author to contend that “Johnny stared death in the face more times than would seem physically possible.” The narrative describes the arc of Tapia’s professional life in economical but effective detail. This is by no means a classic of boxing nonfiction, but Zanon knows the sport well enough to keep these bouts intriguing. One of the story’s most moving nonboxing moments comes when Tapia learned that his mother’s murder had been solved but that he had no chance for personal vengeance. The killer was fatally struck by a car 10 years after the crime. Still, the bulk of Zanon’s book—written with the pugilist’s wife, debut author Teresa Tapia—involves the boxer’s increasingly serious swings between hard-fought professional matches and a long series of drug deals, arrests, and broken second chances. He became a world champion, but the strain of his various activities eventually affected his heart; he died in 2012. The work recounts all this with a good deal of momentum and little sentimentality. The resulting portrait is that of a deeply weak and flawed man who could nevertheless exhibit a real zest for living.

A gritty, engrossing, and concise account of a boxer’s meteoric career and tortured personal life.

Pub Date: Nov. 12, 2019

ISBN: 978-1-949590-15-9

Page Count: 96

Publisher: Hamilcar Publications

Review Posted Online: Oct. 22, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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