by Paula Byrne ‧ RELEASE DATE: April 15, 2014
Byrne brings to this brief history an eye for telling details of daily life, slaveholders’ unthinkable cruelty, and the...
A history of Britain’s anti-slavery struggle that begins with a child.
Dido Elizabeth Belle, the daughter of a slave, known as Maria, and her aristocratic British lover, Sir John Lindsay, was raised as the adopted daughter of Lindsay’s uncle, the Earl of Mansfield, and his wife, Lady Mansfield. With little information available on Dido herself, Byrne (The Real Jane Austen: A Life in Small Things, 2013, etc.) places her at the center of an engrossing, and horrifying, history of the strident, combative and ultimately successful abolition movement in England. Where Dido was born and what relationship Lindsay had with her mother are unanswered questions. “The only thing we can know for sure,” writes the author, “is that Captain Lindsay took a bold and unconventional step in arranging for his small daughter to be…entrusted to a family member to be brought up as a young lady.” That family member was Lord Chief Justice Mansfield, the most powerful magistrate in the land, who ruled on several landmark slavery cases. About 15,000 blacks lived in London in the 18th century, some as servants, some as middle-class landowners. Despite widespread prejudice, even marriage between blacks and whites was not condemned “so long as it did not cross the class divide.” But runaway slaves were still subject to capture and resold or returned to their former owners. The “trade in human flesh” flourished in Britain, where slaves were essential as labor on sugar plantations in the island colonies. Despite—or, Byrne speculates, because of—Mansfield’s widely known affection for Dido, the judge proved cautious in his decisions, frustrating such ardent abolitionists as Granville Sharp, who sued for the rights of captured slaves. Ultimately, Mansfield agreed: Slavery, he wrote, “is so odious that nothing can be suffered to support it but positive law.”
Byrne brings to this brief history an eye for telling details of daily life, slaveholders’ unthinkable cruelty, and the fervent work of a few good men and women who changed their world.Pub Date: April 15, 2014
ISBN: 978-0-06-231077-4
Page Count: 304
Publisher: Perennial/HarperCollins
Review Posted Online: March 28, 2014
Kirkus Reviews Issue: April 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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