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GRAMERCY PARK

As melodramatic and stagy as any opera, but without the compensations of music and singers.

Cohen’s debut takes a popular Victorian theme—destitute young woman rescued by older man with rakish past—and tweaks it for current preoccupations, adding pedophilia and anti-Semitism to a story that’s more sensational melodrama than romance.

Set in the early 1890s, the tale has trademark Wharton details—Mrs. Astor is still giving parties; money as much as love is the stuff of gossip, and reputations can be destroyed by the smallest indiscretion—but, like the décor in present-day theme restaurants, these seem contrived and artificial. All begins as Mario Alfieri, a famous Italian tenor, arrives to make his debut at the Metropolitan Opera. In his 40s and unmarried, Mario is a noted womanizer. Wanting some privacy, he decides to rent a house and is shown one facing Gramercy Park. The property of the recently deceased Henry Slade, it’s just what he wants—but then, exploring, he encounters, hidden in the music room, a sickly looking girl. Sensing her underlying beauty, Mario is instantly smitten. The girl is 20-year old Clara Adler, the mysterious Jewish ward of the late Mr. Slade and thought to be his heir until his will revealed otherwise. Naturally, Mario, who decides he wants to marry Clara, has to contend with a wicked and wily adversary: Slade’s lawyer, the sinister Thaddeus Chadwick, with his own dastardly plans for Clara. Though Mario whisks Clara away from the house and marries her, he discovers that she has a troubled past—which, soon revealed, makes the rest of the tale an anticlimactic race to bring Chadwick to justice. Clara, Mario learns, was seduced at age 11 by a pedophiliac headmaster; she is also haunted by dreams of murder and mayhem, which the loving Mario must confront, ditto for threats to his reputation and career.

As melodramatic and stagy as any opera, but without the compensations of music and singers.

Pub Date: Feb. 18, 2002

ISBN: 0-312-27552-8

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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