A Baton Rouge matron flees to Jersey City to start life anew, only to find herself in a no-man's-land of rent strikes, hired thugs, and life-threatening potholes—in this earthy comedy by Sharp (The Imposter, 1991; The Woman Who Was Not All There, 1988). Like most southern women, Ida Terhune was taught to assume she would always be cared for by a man. When her husband and father passed away on the same day, leaving Ida with one child and another on the way, she naturally married the first suitor who presented himself, the gentlemanly Harlan Terhune. As it turned out, Harlan had little interest in Ida and even less in her children, so after years of emotional neglect, stiff-necked, polyester-pant-suited Ida decides she has no choice but to pack the kids into her Chrysler and flee to the Jersey City apartment of her best friend, Betty Trombley. There, Ida is disturbed to find that action-addicted Betty has joined her fellow slum tenants in an all-out war against their landlord, who's allowed a lake of sewer water to rise to shin level on the basement floor. As Ida's children nimbly accustom themselves to hanging out with the homeless, wandering the broken, abandoned sidewalks of Jersey City, and shoplifting in their spare time, Ida struggles genteelly to leave the apartment, find a job, and arrange for a decent education for her kids. The theft of her car sends this stalwart lady reeling so off-center that she ends up accidentally killing the landlord's thuggish son—but just as she faces a life sentence in prison, another male savior appears, this time in the form of her eccentric Brazilian-American defense attorney, who'll win Ida's heart as he rescues her from doom. Sharp painstakingly sets up a number of comic situations that fizzle out disappointingly in the end—but this antic novel charms nevertheless with its frantic humor and roguish cast.
Pub Date: Sept. 15, 1993
ISBN: 0-06-016564-2
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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