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FINDING SAMUEL LOWE

CHINA, JAMAICA, HARLEM

A well-structured memoir told in brief, punchy vignettes alternating between past and present.

A spirited pursuit of her mother’s roots takes one African-American woman from Jamaica to Harlem to China.

A former NBC executive who is now CEO of a family investment group based in Chicago, Madison (who lives in Los Angeles) proves a formidable, dogged detective in tracing the complicated ramifications of her Chinese grandfather’s work in Jamaica and return to China in the early 1930s. A teenager when he arrived in Jamaica in 1905, Samuel Lowe came from the Hakka minority ethnic group noted for its entrepreneurial drive; soon, he set up one thriving “Chiney shop” after another. He developed romantic attachments with the local ladies; in liaisons not unusual in Jamaica at the time, he fathered several children by different women. The first of these “outside children” was the author’s mother, Nell Vera Lowe, whose distinctive Chinese look would cast her as a kind of pariah in her community. In time, Lowe married a family-designated Chinese bride sent from home, who bore him several more children. Thus, when Lowe returned with his wife to China during the business-stifling Depression, he left Nell behind, among other children, who scarcely knew him or each other. Badly treated by her mother, who resented her Chinese looks, Nell eventually immigrated to New York and became a citizen, raising her children largely on her own when her Jamaican husband proved troublesome and unfaithful. Madison traces this tale of loss through her mother’s story: Without education, Nell was doomed to a hard life of work as a seamstress, and she endured welfare and marginalization with a ferocious protectiveness toward her children. As the author pursues Lowe’s family in China, arranging visits and sifting through minute ancestral details, she proves a valiant avenger of her mother’s difficult past.

A well-structured memoir told in brief, punchy vignettes alternating between past and present.

Pub Date: April 14, 2015

ISBN: 978-0062331632

Page Count: 288

Publisher: Amistad/HarperCollins

Review Posted Online: Jan. 14, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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GIRL, INTERRUPTED

When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.

Pub Date: June 1, 1993

ISBN: 0-679-42366-4

Page Count: 176

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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