by Paula Young Shelton & illustrated by Raúl Colón ‧ RELEASE DATE: Dec. 22, 2009
Civil rights can be a difficult topic, even for adults, so finding simple language to explain the complexity of injustice and oppression to children is challenging. Shelton, daughter of Andrew Young, accepts the challenge and rises to meet it, approaching the topic from the point of view of the child she was in the ’60s: a four-year-old girl living in the midst of the leaders who helped change the nation. While the linked free-verse poems appropriately omit potentially confusing information, they introduce readers to her parents’ friends—activists such as Martin Luther King Jr., Dorothy Cotton and Ralph Abernathy. The author’s language can pack a punch, as when she describes her parents’ moving the family from New York “back to Georgia, / back to Jim Crow, / where whites could / but blacks could not.” Colón’s illustrations are exceptional in their use of color and texture to convey emotions and situations. Thumbnail biographies of the leaders introduced demonstrate that their activism did not end after the Voting Rights Act, which concludes this account. Essential. (bibliography) (Picture book/memoir. 4-9)
Pub Date: Dec. 22, 2009
ISBN: 978-0-375-84314-3
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2009
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by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James
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PERSPECTIVES
by Karen English ; illustrated by Laura Freeman ‧ RELEASE DATE: Dec. 17, 2013
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by Karen English ; illustrated by Laura Freeman
by Karen English ; illustrated by Lauren Freeman
by Karen English ; illustrated by Laura Freeman
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by Karen English ; illustrated by Annalise Barber-Opp
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by Karen English ; illustrated by Ebony Glenn
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by Karen English ; illustrated by Laura Freeman
by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Barbara Cooney & illustrated by Loretta Krupinski
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adapted by Ruth Sawyer & illustrated by Barbara Cooney
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by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney
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