Brilliantly imagined. Artfully written. Superbly entertaining.

EVEL KNIEVEL DAYS

Khosi Saqr is an all-American boy, growing up in Butte, and a descendant of William Andrews Clark, the copper-mining king who put the Montana city on the world map.

Classifying Toutonghi’s (Red Weather, 2007) second novel as a coming-of-age tale sells this superb literary effort short. For example, Khosi may be a great-great-grandson of the copper king, but he also is the son of ne’er-do-well Akram Saqr, a Coptic Christian Egyptian who seduced Amy Clark, married her and presented her staid and prosperous parents with a grandson who looked “like a tiny Yasir Arafat.” Such is the wry humor spicing up Khosi’s story. When Khosi was a toddler, Akram departed for Egypt, leaving behind his family and significant gambling debts. Now in his early 20s, Khosi still lives with his mother in a run-down Victorian they call Loving Shambles, where she operates a catering business specializing in mid-Eastern cuisine and he contemplates the heroics of Evel Knievel. Thanks to the Internet, Khosi is an autodidact, more literate and sophisticated than his college-graduate contemporaries. He works as a guide at the historical Copper King Mansion, frequents the Berkeley Pit Yacht Club, a country music bar with a sawdust floor, and indulges his OCD compulsions. He also pines for his lifelong friend Natasha Mariner, recently engaged to a preppie. Such is Khosi’s life until his father returns from Egypt. After 20 years, he wants Amy to sign divorce papers. To everyone’s disbelief, Khosi decides to follow Akram back to Egypt. “I needed to track down this missing part of my story, this vanished and fugitive sector of my genealogy, this dim adumbration of my family’s lost past.” With writing both gently ironical and outright funny, the author’s extraordinary talent draws readers into the world of Butte and Cairo. More entertainingly, his characters are both believable and appealing, especially Khosi’s Egyptian aunts, their drill-sergeant housekeeper and the everyday people he meets.

Brilliantly imagined. Artfully written. Superbly entertaining.

Pub Date: July 17, 2012

ISBN: 978-0-307-38215-3

Page Count: 304

Publisher: Crown

Review Posted Online: June 17, 2012

Kirkus Reviews Issue: July 1, 2012

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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