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TILL YOU HEAR FROM ME

Refusing to challenge her characters, Cleage (Seen It All and Done the Rest, 2008, etc.) undermines an exciting premise.

A charismatic minister’s apostasy threatens his daughter’s political ambitions.

Ida B. Wells Dunbar, 34, was a tireless Obama campaign worker. Now, post-Inauguration, she’s languishing in D.C. awaiting a White House job offer. Has something sunk her prospects with the new administration? Could that iceberg be her father, Reverend Horace Dunbar, aka the “Rev,” Atlanta’s most revered and influential churchman and civil-rights leader since Dr. King? He castigated candidate Obama for distancing himself from the Rev’s friend Jeremiah Wright, and his diatribe has been immortalized on YouTube. When a family friend asks Ida to intervene, she reluctantly returns to her old neighborhood (and familiar Cleage setting), Atlanta’s West End, a crime-ridden slum turned gentrified African-American utopia. There, she’s fêted with mountains of down-home cuisine, provisioned by the many community gardens that have rendered the West End even more self-sustaining. Her father’s loyal sidekick Ed Harper is chief gardener, but his primary function is accompanying the Rev to speaking engagements, more numerous than ever during Black History Month. The Rev’s defection from Obama’s camp is doubly puzzling, since he and Ed spearheaded a voter-registration campaign that mustered more than 100,000 new African-American Democrats to the polls in November. Now, encouraged by the Rev’s seeming turnabout, corporate backers of the Party of No see an opportunity. If they can filch the Rev’s list of new registrants, they could disqualify them all on bogus grounds in time for the midterm elections. The conservatives easily co-opt Ed’s son Wes, an amoral, opportunistic WASP-wannabe who forsook the West End for Eton and the Ivy League. Can Wes, whose womanizing fits in with the rest of his stereotypical villainy, fool Ida (who pined for him in childhood) into thinking he’s after her, not her father’s list?

Refusing to challenge her characters, Cleage (Seen It All and Done the Rest, 2008, etc.) undermines an exciting premise.

Pub Date: April 20, 2010

ISBN: 978-0-345-50637-5

Page Count: 304

Publisher: One World/Random House

Review Posted Online: Oct. 5, 2010

Kirkus Reviews Issue: March 1, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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