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LIFE IN THE GARDEN

A gentle elegy on the “charisma” of gardens.

A memoir about how gardening sharpens the eye and buoys the spirit.

In a graceful melding of memoir and reflections on literature and art, award-winning fiction and children’s book author Lively (The Purple Swamp Hen and Other Stories, 2017, etc.), a fellow of the Royal Society of Literature and Dame Commander of the Order of the British Empire, celebrates the delights of planning, planting, weeding, and harvesting a garden. For her, gardening is “both formative and essential,” honing “an extra way of looking about me, and an abiding and enriching engagement” with the world. The gardener, she writes, “is always noticing, appreciating, recording.” Besides recounting family gardens in Cairo and Somerset, her own gardens in Oxford and London, and her exuberant trips to garden centers, Lively considers the meaning of gardens to writers such as Virginia Woolf, Edith Wharton (she admires Wharton’s “delectable” and “lavish” French gardens), Willa Cather, and Laura Ingalls Wilder, who indelibly evoked the “practical, essential” importance of the pioneer garden. To Lively, Beatrix Potter’s Mr. McGregor is “the archetypal gardener in literary fiction.” Artists—Monet, Van Gogh, Klee, Klimt, Matisse, and Edvard Munch, among many others—were drawn to gardens as “a resource for the exploration of colour possibilities, of the evanescence of light and movement, the study of form and structure” as well as for “the expression of mood and emotion.” Lively returns often to the theme of time, which gardening makes strikingly visible. “We are always gardening for a future,” she observes; “we are supposing, assuming, a future.” At the age of 84, she is aware that some of her current plantings “will outlast me,” but they produce joy nevertheless. Gardening, she adds, “corrals time, pinning it to the seasons, to the gardening year, by summoning up the garden in the past, the garden to come.” The gardener “floats free of the present, and looks forward, acquires expectations, carries next spring in the mind’s eye.”

A gentle elegy on the “charisma” of gardens.

Pub Date: June 12, 2018

ISBN: 978-0-525-55837-8

Page Count: 208

Publisher: Viking

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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