Bold and irrepressibly sassy.



Actress, producer and director Marshall's frank and funny memoir about the path that led her from an ordinary childhood in New York City to Hollywood stardom.

Marshall never planned to get into acting. But her mother, who ran a neighborhood dance and acrobatics school for children in the Bronx, always believed that "every child should know what it feels like to entertain.” So she began teaching her daughter the rudiments of physical movement before she was 1 year old. By the time Marshall was a teenager, she and the other girls her mother taught had performed at churches, charity events and telethons; they had even appeared on the Jackie Gleason Show. Dancing, however, was not Marshall's passion. A mediocre student with no idea what she would do with her life, she went to the University of New Mexico, a college that "accepted anyone from out of state.” A few years later, Marshall was a divorced UNM dropout who had lost custody of her child, but she had also started to find her niche as an actress through involvement in community theater. She went to Hollywood to join her brother Garry, who was building a career as a comedy writer for TV and got bit parts in such classic TV shows as That Girl and The Odd Couple. She finally came into her own in the mid-1970s as the star of the hit sitcom Laverne & Shirley, and then in the ’80s and early-’90s as the director of the hit films Big and A League of Their Own. Marshall is as candid about her failures (which include a painful second divorce from writer/comedian Rob Reiner) and her weaknesses (like the one she developed for drugs) as she is about her successes. With gratitude for a life lived on her own terms, she writes, "I've been given my five minutes…and then some.”

Bold and irrepressibly sassy.

Pub Date: Sept. 18, 2012

ISBN: 978-0-547-89262-7

Page Count: 352

Publisher: Amazon/New Harvest

Review Posted Online: Aug. 13, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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