An affecting modern fable reflecting Murugan’s enchanting capacity to make a simple story resonate on many levels.
A goat’s life serves as an allegory for the human condition in this novel from an acclaimed Indian author (One Part Woman, 2018, etc.).
Poonachi, the goat of the title, arrives the way characters often do in fairy tales: strangely, under circumstances fraught with portent. She’s presented to an old man in a drought-stricken Indian village by a “giant” who needs “someone who will look after her properly.” The goat is feeble and the old man’s family is poor, but he and his wife nurse her with care. Still, life is always at least somewhat unstable: The government is nosy about Poonachi's provenance, other goats treat her like an outcast, and a wildcat abducts and nearly kills her. Fighting her way to survival only frees her to more sophisticated disappointments, including lost children and thwarted romance; Murugan deftly sketches out a nanny-meets-billy, nanny-loses-billy scenario that’s as affecting as many human tales of unrequited love. Which is the point: In anthropomorphizing Poonachi, Murugan finds a path to describe the essence of humans’ struggle to survive while grasping for fleeting moments of joy and grace. Murugan can be openly comic about this, as when he satirizes the endless bureaucratic lines goats and their keepers endure. But he’s mostly straight-faced, in the tradition of George Orwell’s Animal Farm, a similar allegorical tale; translator Raman notes the connection to the classic, and, as with Orwell, the story is straightforward as a fable while open to interpretation. In its closing pages, the novel returns to its more mystical roots, and while it gives nothing away to say that the story is ultimately tragic—from the start, Poonachi's life is a study in precariousness—Murugan subtly pays tribute to our capacity to stubbornly endure under the most difficult circumstances.
An affecting modern fable reflecting Murugan’s enchanting capacity to make a simple story resonate on many levels.Pub Date: Dec. 10, 2019
ISBN: 978-0-8021-4751-6
Page Count: 192
Publisher: Black Cat/Grove
Review Posted Online: Sept. 12, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
