America's Great Plains—as seen through a glass darkly. In 1990, as British novelist Davies (Dollarville, 1989) cruised mid-America in an old Ford pickup, he might have crossed paths with Dayton Duncan, who was exploring roughly the same area in a GMC Suburban, preparing to report on his trip in Miles from Nowhere (p. 345). But the Briton and the Yankee found two very different countries. While Duncan took as his metaphor the land's vast emptiness, Davies takes as his its raging storms, particularly its numerous tornadoes, magnificent but deadly. And unlike Duncan's approach—respectful, even reverent, with deep delving into the region's history—Davies's take is sassy, sharp, and alienated, with little attention to the past: ``I was back in the heart of America now....It's the nearest thing I know to going to the moon- -and I love it.'' But does he really? No doubt Davies is in awe of the Midwest and its wild weather—his strongest passages here, crackling with energy, describe storms he evaded or chased—but he finds much to criticize harshly as well, from missile bases to racism (particularly against Native Americans, a theme that dominates the many—and filler-dull—pages detailing his visit to the South Dakota set of the film Thunderheart) to drunks and fools (about two Utah motel-owners: ``I'm talking a comedy double act of congenital idiots here, a short and shapeless mother and daughter, both lank of hair, slack of lip, stale of odor''). Throughout, one senses that although Davies looks with gusto at all the right places—a baseball game, a rodeo, a buffalo herd, a dance, a classic diner, and so on—he sees only America's surface, never its beating heart. Lively but not revealing—for that, see the Duncan or Ian Frazier's Great Plains (1989).
Pub Date: May 1, 1993
ISBN: 0-679-40885-1
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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