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THE DEVIL’S FLU

THE WORLD’S DEADLIEST INFLUENZA EPIDEMIC AND THE SCIENTIFIC HUNT FOR THE VIRUS THAT CAUSED IT

Despite confusing chronological leaps, frequent blurring of purpose, and much repetition (particularly in digressions on...

A cautionary tale by novelist Davies (Dollarville, not reviewed), who tries to unravel the mystery of the 20th century's greatest epidemic.

On the surface, this is a treasure hunt for tissue samples sufficient to map the genome of the influenza virus that caused the forgotten influenza pandemic estimated to have killed 40 million people worldwide in 1918. The story itself is a good one—scientific hubris, political meddling and miscalculation, and truly adventurous spirits—if only the author would tell it. Although the casualties of the "Spanish flu" (as the 1918 virus came to be known) rivaled those of the trenches (hundreds dead daily in single towns, the living too sick to keep up with the burials), it is the war we remember. Most of us nowadays look upon the flu as an inconvenience rather than a morphing creature that can periodically reappear in devastating strains, but, as the author makes clear, it is not a question of if so much as when the next virulent flu will kill millions. In Hong Kong, in 1998, one of these million-killer strains may have popped up—but thanks to extreme and highly unpopular decisions on the part of the government (including the slaughter of virtually all the island's millions of chickens), it was apparently halted. In a tiny mining town in the Arctic permafrost, the author joins a quixotic quest to exhume bodies of miners who died in the 1918 plague. Kirsty Duncan, an obsessive Canadian who increases her daily regimen of 1000 sit-ups to 2000 during endless days in the tundra, is the leader of that expensive expedition. Unfortunately she didn't know that two other scientists, Jeffrey Taubenberger and Johan Hultin, had already got sufficient samples in Alaska—Hultin having made it to the same difficult region of Alaska in 1951. Gerald Ford's Swine Flu debacle is also considered.

Despite confusing chronological leaps, frequent blurring of purpose, and much repetition (particularly in digressions on genetics), the information provided here is ignored at our own peril.

Pub Date: Oct. 1, 2000

ISBN: 0-8050-6622-5

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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