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INDIAN CREEK CHRONICLES

A WINTER IN THE BITTERROOT WILDERNESS

From out of the deep, deep wilds of Idaho comes this story of a short-story writer (The Tall Uncut, 1992)-turned-reluctant- backwoodsman. Fired up by the seemingly romantic life led by mountain men, Fromm accepted a position tending a stream full of salmon eggs in the Selway-Bitterroot wilderness. It was to be a stint of seven months, nearly all of them in the meanness of winter. But even before Fromm arrived at camp, he had second thoughts. This wasn't just backcountry, this was way backcountry, and he was grossly unprepared for all the boogies that swarmed down on him— loneliness, inexperience, the awesome interstellar cold, fear. Slowly coming to terms with his situation, the author beat back the demons by keeping busy and taking care not to concentrate too much on just what he had gotten himself into. This retelling of his foray into the wild is strangely compelling, considering its unassuming, understated character. Fromm catalogs his up-country days: settling in; looking after his stream; visiting with his few, far, and mostly absent neighbors; wrestling with his ambivalent feelings about the mountain-lion and bear hunts that figure so prominently in the region; taking long, therapeutic hikes that by and by surrendered the lay of the land to him. The author is sensitive enough to have enjoyed moonlight on snow and the eerie silence of the limitless cold, and, with tenderfoot luck, he witnessed an unexpected total eclipse of the sun, an event that sent him into a vital, whirling dance. Nothing outrageous happened, nothing beyond the pale, but his modest adventures reckoned up to a tale well worth the telling. It was a long haul for Fromm, a brute circumstance, full of tribulation. But he survived to write this fresh-faced account. Bully for him.

Pub Date: May 20, 1993

ISBN: 1-55821-205-1

Page Count: 192

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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