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THE NAMES OF THE STARS

A LIFE IN THE WILDS

Fromm’s finely tuned reflections on this small but fully inhabited piece of the backwoods make this an adventure worth...

A middle-aged novelist and creative-writing teacher spends a month in the wilderness keeping an eye on baby fish for the National Forest Service and reliving his earlier experiences in the wild.

When Fromm (If Not for This, 2014, etc.) heard that he was a candidate to monitor the development of grayling eggs in the Bob Marshall Wilderness of Montana in May and June of 2004, he thought it would be a perfect opportunity to introduce his sons, then 9 and 6, to the wilderness he loves so much. The Forest Service, not surprisingly, vetoed this suggestion, so he ended up on his own, his only human contact brief radio calls to his supervisors a couple of times per week. Fromm had plenty of nonhuman company, however, as he made his daily 10-mile round trip on foot, often through the nearly freezing rain, to check on the progress of the fish. A herd of elk grazed in the field outside his cabin, coyotes howled in the mountains, and he caught more than one glimpse of grizzly and black bears as he made his way down the path. To make sure that they knew he was there, he loudly sang the songs that he used to put his boys to sleep, including “The Noble Duke of York” and “Big Rock Candy Mountain.” The author alternates lovingly observed scenes from the month in the mountains with equally vivid chapters about the time he spent in his early 20s as a river ranger. While physical danger plays a part in the story, with bear attacks always a possibility, the author keeps the emphasis on internal conflict as he tries to reconcile his longing to be with his boys with the love of solitude and nature he hasn’t been able to indulge so thoroughly for years.

Fromm’s finely tuned reflections on this small but fully inhabited piece of the backwoods make this an adventure worth savoring.

Pub Date: Sept. 27, 2016

ISBN: 978-1-250-10168-6

Page Count: 272

Publisher: Dunne/St. Martin's

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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