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THE MORTAL NUTS

Another riotous carnival of larcenous fun Ö la Elmore Leonard—this time set in and around a real carnival. Taco tycoon Axel Speeter, who doesn't like banks, keeps his fortune in Folgers—$260,000 in seven coffee cans, to be precise. Sophie Roman, newly promoted to manager of Axel's Taco Shop, doesn't know about it, but her footloose daughter Carmen does, and soon so do Carmen's boyfriend James Dean and his new skinhead friends, Tigger (the little, dumb one), Sweety (the big, even dumber one), and Pork (their pumped-up crank connection). All Axel wants to do is max out his take at the Minnesota State Fair; all Carmen, an aspiring nurse, wants to do is dose herself with bigger and bigger hits of Valium—at least until she samples the crank; all Dean wants to do is plunge his arms up to the elbows in Axel's greasy greenbacks. While all are biding their time waiting for Hautman's hilariously overgalvanized plot to kick in, Axel reminisces about some long-ago hands of poker he played with his buddies Sam O'Gara, the human randomizer, and Tommy Fabian, the monarch of Tiny Tot Donuts; surprisingly capitalistic Sophie and increasingly brain-dead Carmen jockey for position at the taco counter; and Dean goes after Axel's buddy Tommy Fabian, of Tiny Tot Donuts, and spends a lot of time mangling bits from the John Donne book borrowed from the sister he killed back in Omaha. Even minor characters, like the Motel 6 night manager and the clotheshorse twinkie Axel's hired for the State Fair stint, share the tunnel-vision looniness, convinced, like Axel and Dean, that their ships are about to come in. Hautman (Short Money, 1995, etc.) provides pleasantly hallucinogenic dialogue that faithfully reflects the mixture of nonstop junk food, increasingly toxic drugs, and background noise from the Tilt-a-Whirl and the hog pens just outside the midway; the whole world vibrates, with each felonious dreamer always on the cusp of a carnival buzz. Joyfully loony—as blissful as a ton of cotton candy.

Pub Date: June 1, 1996

ISBN: 0-684-81000-X

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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