by Pete Jordan ‧ RELEASE DATE: May 1, 2007
Enjoyable manifesto celebrating rootless irresponsibility, with rueful acknowledgement of the pitfalls therein.
From the creator of one of the 1990s’ best ’zines, a debut memoir chronicling his mission to wash dishes in each of the 50 states.
A San Francisco kid who spent his youth getting in trouble with cops, the author found that he liked wandering around the country much better than attending college or maintaining any sort of steady work. Dishwashing, he discovered, was the holy grail of itinerant employment. Being a “suds buster,” as Jordan memorably dubs it, isn’t exactly high in prestige—he quotes an opinion survey that ranked dishwashing #735 in status out of 740 jobs—but there are always openings and few expectations, since most dishwashers last no more than a few weeks at a time. The profession’s traditions include “laziness, drunkenness and ditching jobs without even a minute’s notice”—and you have to quit, since it’s basically impossible to get fired. Jordan was in Alaska when he got the notion to wash dishes nationwide and create “a little dishwashing publication” as well; a knowledgeable subs-busting buddy explained what a ’zine was and handed him a copy of Down and Out in Paris and London. Inspired by Orwell’s memorable delineation of the plongeur ethos, Jordan photocopied Dishwasher #1 in Arizona, put out a second issue in Texas and managed to squeeze out 13 more over a dozen years of hitchhiking, bumming rides from friends, crashing on people’s couches and getting dumped by girlfriends. (A postscript tells those who ordered #16 to get in touch, and he’ll make good.) Among his most challenging gigs: an isolated post on an oil rig and an attempt to disprove the received wisdom that a white guy couldn’t get hired in New Orleans, where all the suds busters were black or Mexican.
Enjoyable manifesto celebrating rootless irresponsibility, with rueful acknowledgement of the pitfalls therein.Pub Date: May 1, 2007
ISBN: 978-0-06-089642-3
Page Count: 384
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
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by Pete Jordan
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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