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POE

A LIFE CUT SHORT

Necessarily sketchy, but often insightful, sometimes stunning.

Latest entry in the prolific biographer’s Brief Lives series sketches a tormented existence begun in misery, ended in mystery.

In his portrait of Edgar Allan Poe (1809–49), Ackroyd (Thames: The Biography, 2008, etc.) offers no novelty, just brevity and some striking sentences—the final one in the book is alone worth the purchase price. The text opens with the destitute, disoriented, dying Poe discovered on the streets of Baltimore. Ackroyd wisely abstains from too much speculation about the writer’s demise (“the truth is lost,” he acknowledges) and does not advance any new theory about those final days missing from the historical record. The biographer pulls few punches. He reminds us that Poe’s foster parents, the Allans, were slaveowners and that the writer remained in many ways an archetypal Southern white racist his entire life. (Racial attitudes expressed in several famous tales, including “The Gold Bug,” make them difficult to read today.) Ackroyd also emphasizes Poe’s drinking problem, arguing that he was at times not just intoxicated but totally saturated in alcohol. He does not adequately explain, however, how a man continually besotted managed to be so astonishingly productive. Ackroyd sticks to an unadorned chronology, following the orphaned Poe from John Allan’s Richmond, Va., home through school and teenage activities (including some surprising acts of physical prowess—he swam the James River rapids) to his truncated adventures at the nascent University of Virginia, in the Army and at West Point. We see Allan breaking with Poe, who inherited nothing from his wealthy foster father. We watch a proud, even arrogant artist struggle to make his name in the literary world. Ackroyd deals sensitively with Poe’s marriage to his very young cousin Virginia Clemm, and is incredulous with his hysterical, simultaneous courtships of three women after Clemm died.

Necessarily sketchy, but often insightful, sometimes stunning.

Pub Date: Jan. 20, 2009

ISBN: 978-0-385-50800-1

Page Count: 224

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2008

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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