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PICTURE IN THE SAND

A gripping, hard-to-put-down thriller.

Political upheaval in Egypt circa 1954 threatens the location shooting of The Ten Commandments—and the life of a young local hired as Cecil B. DeMille's personal assistant.

A film buff, Ali Hassan is initially thrilled to work for DeMille, whose swan song this biblical epic proves to be. But his enthusiasm is dimmed by the director's imperious and temperamental ways. And his safety is compromised by the violent aims of the Muslim Brotherhood extremist group, which targets newly installed Prime Minister Gamal Abdel Nasser for his anti-theocratic ways and for cozying up to the blasphemous Hollywoodians. One of the group's outspoken members is Sherif, Ali's close but combative cousin, who pressures Ali into abetting a planned terrorist attack on the film set. After it becomes known that Ali, as DeMille's driver, ran over an influential imam to escape a demonstrating mob in Cairo, it's only a matter of time before he faces some very bad music. He ends up spending many years in prison, where he's beaten and tortured by an escaped Nazi welcomed into Egypt—supposedly "a new beacon of liberty"—for such purposes. The book is presented as Ali's firsthand account of his experiences, written years later for his radicalized American grandson, who sporadically emails his responses to it from jihadi training grounds unknown. These interruptions prove superficial in linking fundamentalism past and present and examining religious belief, but otherwise this departure by Blauner from his urban thrillers—including Sunrise Highway (2018) and Proving Ground (2017)—is great storytelling, a coming-of-age tale with a love story at its heart. The drama is leavened with wry accounts of the mercurial DeMille and his buff star, Charlton "Chuck" Heston. A Jewish documentary filmmaker thought to be an Israeli spy is straight out of classic noir. All in all, an inspired idea skillfully executed.

A gripping, hard-to-put-down thriller.

Pub Date: Jan. 3, 2023

ISBN: 978-1-2508-5101-7

Page Count: 352

Publisher: Minotaur

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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