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HALFWAY TO SCHIST

A thoughtful, engaging tale about loss and growing up.

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A teenage American girl finds herself on a remote Canadian lake in this geology-themed YA novel.

Buffalo, New York, 1955. Red Rogers knows a lot about rocks. Both her parents are geologists, so it comes with the territory. After her mom chooses suicide, Red realizes that rocks were central to the way the woman interacted with the world. “My father liked to say I needed to understand that my mother had been born with a heart of stone,” recalls Red. “My mother, he said, couldn’t comprehend human nature, especially her own, but she understood stones, rocks and ice, and all the processes they went through.” Just as Red is settling into high school, her father decides to move both of them to a remote Canadian island in order to renovate his dead uncle’s fishing lodge—not exactly the kind of place where Red wants to spend her 16th birthday. The lodge is even more rustic and isolated than Red had imagined, but she finds some unexpected friendships with two local teens: Walter Mohaney, a skilled carpenter and amateur boatbuilder, and Isadore Whitefeather, a handy First Nations mechanic who works alongside his stoic grandfather. After Red acclimates to the tensions between the townies and the wealthy seasonal tourists—and an unexpected organized crime presence—she comes to better understand her father and her deceased mother. As Red’s summer unfolds, she examines some of the geology-centric fables that her mother bequeathed her in an old diary as well as the letter she left labeled “FOR RED. DO NOT OPEN UNTIL YOUR 16th BIRTHDAY.” If there’s one thing that every rockhound knows, it’s that human lives pass by in the blink of an eye—at least when you’re measuring them in geological time.

Bridgford’s prose is measured but full of movement, deftly capturing both Red’s angst and the liberty she feels in her new setting: “I kept the boat zipping along, and soon the freedom of being my own captain became intoxicating to me. I never wanted it to stop. For the first time I felt completely free and I wanted nothing more than to be alongside a noisy boat motor and feel the spray and wind on my face as I piloted my own craft among the islands of what now seemed such an enchanting place.” Red narrates the book from far in the future, which makes the story feel more contemplative than urgent. The author displays a tendency to let Red summarize her memories more often than dramatizing them as scenes. This, coupled with the 1950s setting, brings to mind an earlier era of YA fiction. That isn’t to say that the novel doesn’t have many of the familiar tropes of the genre, including social hierarchies, fast friendships, betrayals, queer longing, and a fairly explosive ending. Red lives a lot of life over the course of one summer, and by the time readers reach the final pages, they will feel as if they have, too.

A thoughtful, engaging tale about loss and growing up.

Pub Date: March 31, 2022

ISBN: 978-1-68433-909-9

Page Count: 276

Publisher: Black Rose Writing

Review Posted Online: Jan. 18, 2022

Kirkus Reviews Issue: March 1, 2022

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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