by Peter Canning ‧ RELEASE DATE: Sept. 1, 1997
Medical adventures and introspective musings by a paramedic learning the ropes in Hartford, Conn. Canning is not your typical paramedic, if there is such a creature. His background includes 12 years of service in Washington, D.C., with Senator Lowell Weicker and later in Hartford when newly elected Governor Weicker appointed him to the state health department. Thus Canning, whose daily life centers on the nitty-gritty of emergency medicine, mostly in an inner city, brings to his work the larger perspective of a former policy wonk. He is keenly aware both of society's ills and of government's inability to solve them. There are enough gory details here to satisfy anyone's curiosity about just what it is that paramedics do and how they do it. Some 911 calls are matters of life and death, but others involve minor accidents or trivial incidents; thus the paramedic's day is an unpredictable mix of tension, action, frustration, and boredom, of racing against time and of waiting around. Early in his paramedic career, Canning worries about being good enough, and he writes honestly of his struggles to meet the high standards he has set for himself. Later, as his skills improve and he gains confidence, he frets about the status of his new profession. Canning bridles when patients refer to him as a mere ambulance driver or doctors snub him, and he glows when nurses compliment his work. Paramedics, it seems, don't get much respect. Nevertheless, at the end of a day's work, Canning the paramedic knows for certain that he has made a real difference in someone's world, a reward that Canning the speechwriter never received. A vivid account of emergency medicine that should go a long way toward generating respect for paramedics. (Author tour)
Pub Date: Sept. 1, 1997
ISBN: 0-449-91276-0
Page Count: 320
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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