by Peter Costello ‧ RELEASE DATE: April 1, 1993
Assimilating masses of published and unpublished sources and hearsay, this ``popular'' biography, according to Costello (The Real World of Sherlock Holmes, 1991, etc.), is ``radically new'' in reconstructing Joyce's early years—the social, political, cultural, and domestic life; the family, friends, education, and economic circumstances that provided the prototypes and themes of his fiction. Although he believes that biography is ``a form of higher fiction,'' Costello offers few flights of fancy in his cautious demonstration of the relation between art and life. Indeed, he treats the life much like Joycean critics treat the fiction, assigning multiple and dark meanings to virtually everything, especially to those defining moments Joyce called ``epiphanies.'' Discussing Joyce's being bitten by a dog when he was five, for example, Costello extrapolates to the writer's lifelong aversion to dogs and ``reverence'' for cats, and his discovery—in the pharmacist who treated him—of a model for the high-school science teacher in Ulysses. And then there's Joyce's confusing pain and love, which Costello says came from the ``bizarre but not unlikely'' experience of being punished by having a toilet flushed on his head. The author offers vivid explanations of the writer's life at Bray, his Jesuit education, his sexual growth, his intellectual life, his spiritual struggles, and—detailed in a brief prologue—his life in exile following the publication of Ulysses. Costello especially admires Nora (who saved Joyce from becoming ``just another drunken failed poet''), but he depicts the couple's life together mostly as a record of places they lived and of what Joyce wrote there, of how he earned (or failed to earn) a living. The most Joycean parts of the book are in the appendices: Joyce's ``genetic make-up'' traced to his great-great-grandparents; complete genealogies, including the ``pedigree'' of Stephen, the last surviving Joyce; and a horoscope. Of interest, then, though Richard Ellmann's James Joyce remains the definitive life. (Sixteen pages of b&w photographs.)
Pub Date: April 1, 1993
ISBN: 0-679-42201-3
Page Count: 384
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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