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LONG PLAYERS

A LOVE STORY IN EIGHTEEN SONGS

A diary of devastation too good not to share.

A heartfelt and hyperliterate take on love as a mixtape.

Coviello (English/Univ. of Illinois, Chicago; Tomorrow's Parties: Sex and the Untimely in Nineteenth-Century America, 2013, etc.) tells the story of recovering from his life's greatest loss to date: the breakup of his marriage and family. A sheltered young English professor, the author met and married an older woman with children. Her affair with a co-worker a few years later shattered his world and left him in the precarious, nonlegal role of ex-stepfather to her two daughters. Coviello recounts memories in the present tense, and the 18 songs of the title prove closer to 30, with each chapter evoking a few pop songs that trigger memories surrounding the dissolution of his marriage. His sincerity is by turns insufferable and irresistible, but he is a true believer in the power of love and in the magic of certain pop songs to encapsulate, transform, infect, and heal. His personal compilation mixes tunes that remind him of his bewitchingly broken ex-wife, Evany, with songs that evoke his feelings as a suburban man learning to love and be loved by other people, plus a few tracks for the loyal friends who picked him up each time he collapsed in grief. With its convoluted syntax and attenuated musings about love and the inner life, Coviello’s style imitates his heroes Henry James and George Eliot, and reading his book feels a bit like finding a cache of letters from one close friend to another, with the writer casually unraveling on the page. Summing up one’s life in a list of carefully chosen tracks has developed into something of a microgenre, with pop songs serving as the madeleines for the last pre-digital generation. While some other High Fidelity–inspired memoirs undoubtedly “do” the music better, few outpace the grim vivacity of Coviello’s writing or match the depth of feeling he summons from the soundtrack of his own neuroses.

A diary of devastation too good not to share.

Pub Date: June 5, 2018

ISBN: 978-0-14-313233-2

Page Count: 272

Publisher: Penguin

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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