A heart-rending, pellucid story of wartime survival.

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CAFÉ BUDAPEST

A Jewish refugee family arrives in 1939 Paris after a series of hairbreadth escapes in this sequel historical novel.

On the run from Nazis in Prague, the physically and psychologically traumatized Kohut family has arrived safely in the City of Light, just in time for France’s entry into World War II. In this follow-up to his semiautobiographical debut novel, The Dragontail Buttonhole (2016), Curtis picks up the story of Sophie and her husband, Willie, a displaced clothier, and their infant son, Pavel, exactly where the last installment left them. Sophie is traumatized but unbroken, young Pavel is hungry, and Willie faces the challenge of reuniting with his mother and father in England while dealing with “a crushed finger, a slashed chest and empty pockets.” Booted from their fleabag hotel by its Nazi-sympathizer owner, the Kohuts soon find that their mere presence in France is illegal: if they’re discovered, Sophie and Pavel will be sent to a refugee camp and Willie to prison. While in Paris, they survive on a couple of pawned gold coins and the occasional half-truth; in Germany, Willie had learned that “deception was an essential skill for refugees on the run.” As Sophie finds a surrogate family at the Café Budapest, Willy volunteers for France’s army of Czech exiles and does his best to contend with the “rough, vulgar camaraderie” of the ragtag recruits. Both main characters suffer unexpected joys and real dangers in their travails—including an especially sticky moment involving Pablo Picasso. The story becomes even more emotionally heightened and complex when Willy and Sophie learn of a particular man from their past in their midst. As in Curtis’ last novel, there’s a poignant and arresting precision in the descriptions that make events from 80 years in the past feel immediate: “Even the taxis-bicyclettes that carried two passengers with a child on their lap charged the equivalent of ten fresh eggs.” Indeed, there’s not a wasted word to be found in the smoothly paced text. Readers will also find themselves absorbed by the book’s gradually building suspense as the characters experience both good fortune and jeopardy.

A heart-rending, pellucid story of wartime survival.

Pub Date: April 2, 2018

ISBN: 978-0-9993631-2-6

Page Count: 444

Publisher: CreateSpace

Review Posted Online: Jan. 1, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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