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CAFÉ BUDAPEST

A heart-rending, pellucid story of wartime survival.

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A Jewish refugee family arrives in 1939 Paris after a series of hairbreadth escapes in this sequel historical novel.

On the run from Nazis in Prague, the physically and psychologically traumatized Kohut family has arrived safely in the City of Light, just in time for France’s entry into World War II. In this follow-up to his semiautobiographical debut novel, The Dragontail Buttonhole (2016), Curtis picks up the story of Sophie and her husband, Willie, a displaced clothier, and their infant son, Pavel, exactly where the last installment left them. Sophie is traumatized but unbroken, young Pavel is hungry, and Willie faces the challenge of reuniting with his mother and father in England while dealing with “a crushed finger, a slashed chest and empty pockets.” Booted from their fleabag hotel by its Nazi-sympathizer owner, the Kohuts soon find that their mere presence in France is illegal: if they’re discovered, Sophie and Pavel will be sent to a refugee camp and Willie to prison. While in Paris, they survive on a couple of pawned gold coins and the occasional half-truth; in Germany, Willie had learned that “deception was an essential skill for refugees on the run.” As Sophie finds a surrogate family at the Café Budapest, Willy volunteers for France’s army of Czech exiles and does his best to contend with the “rough, vulgar camaraderie” of the ragtag recruits. Both main characters suffer unexpected joys and real dangers in their travails—including an especially sticky moment involving Pablo Picasso. The story becomes even more emotionally heightened and complex when Willy and Sophie learn of a particular man from their past in their midst. As in Curtis’ last novel, there’s a poignant and arresting precision in the descriptions that make events from 80 years in the past feel immediate: “Even the taxis-bicyclettes that carried two passengers with a child on their lap charged the equivalent of ten fresh eggs.” Indeed, there’s not a wasted word to be found in the smoothly paced text. Readers will also find themselves absorbed by the book’s gradually building suspense as the characters experience both good fortune and jeopardy.

A heart-rending, pellucid story of wartime survival.

Pub Date: April 2, 2018

ISBN: 978-0-9993631-2-6

Page Count: 444

Publisher: CreateSpace

Review Posted Online: Jan. 1, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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