by Peter Esterhazy & translated by Judith Sollosy ‧ RELEASE DATE: March 12, 2004
Daunting at first, then richly rewarding. A major achievement.
Heir to a famous name, Esterházy (She Loves Me, 1997, etc.), drawing on his family’s history, creates a lightly fictionalized portrait vividly illustrating the clan’s survival through turbulent times.
The story is told in two parts: the first is a fast-paced, allusive take on Esterházy’s paternal ancestors, who received their name from the Evening Star in the first centuries of the second millennium; the second, more personal and less allusive, is Esterházy’s telling of his father’s particular story. Book One, rich in quotes from writers ranging from Bellow to Beckett, is a long, quick riff, in short paragraphs, on fatherhood all the way back (“My father is metaphorical”). Esterházy recalls a range of ancestors: one was a patron of Josef Haydn’s, another was running the Vatican in 1621, yet another concluded peace too early with Napoleon. In Book Two, the author recalls the changes in his father’s life that were inevitable results of changes in Hungary itself as the country briefly became Communist, in 1919, then a reactionary republic tied to Nazi Germany, then Communist again until 1989. Esterházy’s father, born in 1919, began life as a count, with numerous castles and a great fortune, but when the Communists came to power after WWII and the family was forcibly removed to a small country town, he had to work as a fieldhand, a floor layer, and finally a translator. Despite the privations—little money, bad food, police surveillance—the family was close and often happy, perhaps because both parents were adaptable and uncomplaining. So, rather than a lament about how the mighty have fallen, the story is a more rueful tale of how the mighty coped: Esterházy’s father was arrested and beaten up during the 1956 uprising against the Russians, and, at school, the young Esterházy himself was picked on by a rabid Communist teacher, though his peers didn’t mind that he was a former count.
Daunting at first, then richly rewarding. A major achievement.Pub Date: March 12, 2004
ISBN: 0-06-050104-9
Page Count: 864
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
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More by Peter Esterhazy
BOOK REVIEW
by Peter Esterhazy and translated by Judith Sollosy
BOOK REVIEW
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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